A Brief History
In 1991, Olympia artist Kathy Gore-Fuss put out a call to other local artists to come together to find ways to build a stronger arts community. The group began meeting monthly at Susan Christian’s studio, and Arts Olympia was born. Within the year, some members approached Washington Center for the Performing Arts with a proposal for an exhibition of their work. The ensuing show was extremely successful, and the organization took on the task of hanging shows regularly at the Center. This became a major focus of ours, and we sometimes hung as many as four shows in a year. Ultimately realizing that this schedule took up energy we’d rather put into making art, we scaled back our work load, and moved to the Coach House of the State Capital Museum as our venue.
Arts Olympia members work in many different media. Some of us are professional artists with many years of experience, and some are just venturing into expressing ourselves artistically. At monthly meetings, we share our work and offer each other feedback, cheer each other’s successes, and share information about available opportunities. We also hold monthly salons to more closely examine particular issues about how we work as artists, or philosophical questions such as the relationship between art and politics. Additionally, as opportunities arise, we hold events such as paint-ins and workshops. And annually we mount an exhibit of members’ current work.
Currently, we meet at 6:00 pm on the second Monday of every month from September through June at OlyImages Studio, 1230 Eighth Avenue SE, Olympia, WA. Monthly salons are hosted at members’ homes.
See below for a word from Barbara Mould Young.
Some posters from past shows:
An Arts Olympia Historical Perspective
When I moved to Olympia in the fall of 1990, Charlie Keck said, “You might want to join Arts Olympia because one of their members is an artist/art therapist. She was Ruby Kopelman who made family art puppets which were displayed at Panowitz Jewelry on the corner of Capital Way and Fifth Street. Charlie Keck was a photographer and played a jazz piano when we opened our reception Friday evening at the Coach House Annual Arts Olympia Art Show.
I will name a few of the artists back then. Susan Emley painted Russian folk characters from her study in Russia. Paul Schaufler was “an old-fashioned photographer,” and printed his own gel photos in the dark room in the basement of his home. A former forester, Paul, has outstanding photos of Mt. Rainier, the Olympia Rain Forest, and Hood Canal at Dusk. I know. I own those three. David Edwards sculpts stone and wood. David told us that the stone speaks to him and images emerge from the stone. David sculptured a gooey duck for The Evergreen State College. He sculped a woman as she ages. Marie Hassett sewed fabrics into birds on branches. Bernie Bleha held a salon in his woodworking workshop where his collages consisted of hundreds of tiny pieces of wood. Patrick Cavendish painted a walk with family through the English forest. Myra Orsini sculps big pieces, owns, and manages the Monarch Sculpture Park on the Western-Chehalis Train in Tenino. Ed Sharp photographed tender days with his mother. Pat Hedwall, Claire Thompson, and Karen McInturff were fabric artists. Rebecca Smurr worked with tiny mosaics. Margo Westfall fabricated the steel Chalice at the Unitarian Church. Marge McGinley painted “horses of course.” She had grown up on the farm in Montana. Art Rediske was a silversmith, made fine jewelry, and taught daughter Claire. Barbara Packard rendered the image of the 2006 National Capitol Christmas Tree, a silver fir from the Olympia National Forest. Barbara’s was unveiled by Governor Gregoire before being presented to the National Director of U.S. Forest Service. Marilyn Abel did etchings on copper plates. Lois Beck did monoprint collages. Matri Sojourner made a story pole for conversations with those on the street in downtown Olympia. Laraine Wade-Butter quilts. Jo Jenner, at age 90, gave a solo retrospective at Childhood’s End. Diane Fairbanks painted Washington State rivers. I learned to make masks with the Native women of the Shoalwater Bay Indian Tribe. Masks became my medium in plaster of Paris, clay, and steel. I presented mask making salons.
Many fine artists have not been mentioned. You asked me to give you two sentences.
Barbara Young
Olympia, Washington
March 27, 2025
Steering Committee
Chair: Jill Jacoby
Secretary: Jan Hansen; Ineke Berhitoe
Treasurer: Mary Campbell
Publicity: Deborah Baker
Web and Email: Mary Lepingwell